Wedding at the Rothschild House, England’s anonymous “Versailles”.
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The green bottle, displayed in the display case, on the old brick cellar wall, looks like miserable debris that accidentally ended up there. Looking closely, the date printed on the glass is 1787: two years before the French Revolution. When the Bordeaux was bottled, Louis XVI, the last king of France, was still firmly on the throne; Europe is still full Old system; Strange Napoleon. Englishman James Watt invented the first steam engine; Electricity did not exist and all of humanity moved only on horseback. Under the date it readsThomas Jefferson: bottleChâteau Lafite belonged to America’s third president, an early modern-day wine collector, who paid $75 to purchase it at the time.
House of the Rothschild Barons
This priceless piece of art is just one of the countless treasures housed at Waddesdon Manor, a mansion in the Buckinghamshire countryside. Next to what may be the world’s oldest bottle of wine is a newer magnum: the year 1993. It almost makes you smile, compared to its secular neighbor, but it has three names handwritten on the label: Elizabeth II, Philip, and Diana. She is the former Queen of England, her husband the Duke of Edinburgh and the Princess of Wales: none of them are alive and that makes the bottle even more valuable.
The Waddesdon Manor cellar collects 15,000 bottles of Château Lafite, the personal reserve of the owner’s family, as well as the owner of the famous winery. This French-looking residence is best known within an hour’s train ride from London.”country houseAll of England. It is also the residence of the Rothschilds, the famous and extremely wealthy Ashkenazi Jewish banking family with origins in Frankfurt. Today againLord Jacob Nathaniel Rothschild, 4th Baron Rothschild, a generous old man of 87, lives there on the neighboring Ithorpe estate, the family having turned Waddesdon into a charming museum and resort. The ticket costs 13 Egyptian pounds (reduces to 6.6 for children).
Waddesdon Manor, a dream home in the English countryside
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fictional property
Moreover, defining it as a “country house” is quite reductive. From the entrance, a seemingly endless road climbs various hair-bending curves. Dotted along the way are huge stables and an old dairy. The stables complex today is a gallery gallery (at the moment a solo show by painter Katherine Goodman is on), with an adjoining restaurant (among other things, the menu includes chicken croissants and bruschetta with salmon, capers and baby meringue). On the other hand, the dairy, an old dairy where the Rothschild ancestors made butter and cheeses with ceramic labels, is today a venue for events and weddings: crossing the entrance, where a chandelier made of deer antlers protrudes, opens a gypsoteca with busts of Pericles and Roman sarcophagi , which overlooks an Arcadian pond among willows and woods. The quintessential British countryside. At the end of the nineteenth century, the patriarch Ferdinand Rothschild chose this hill and built there a country villa to spend the summer: only the hill overlooks the plain below. The truly wealthy, yesterday and today, like to live high and dominate from afar. Even today, the place is isolated: the only single-track railway only reaches Aylesbury Park, a very small station in the middle of the fields. From there, a private shuttle service for visitors operates, which brings you to the property.
Canaletto, Hockney and Marie Antoinette
The three floors of the palace house, among wood paneling, tapestries and velvets, a collection of the finest art ever: the most remarkable room is where a modern portrait of Lord Rothschild with his daughter by David Hockney is It contrasts with the stunning Tintoretto depicting not the typical Venetian, but the Piazza del Campidoglio in Rome. Ancient and modern coexist in majestic contrast. One of the towers includes a hexagonal space with Perrault’s Sleeping Beauty by early 20th-century Russian artist Leon Bakst.And Where each character has the face of a family member. very rareDiffuser in the shape of a ship, a typical object of 18th century France, all destroyed after the revolution as a form of protest, two illustrious Renaissance paintings by Mastro Giorgio da GubbioIt stands out in the ceramics department. A giant jade vase, in the shape of an ancient Greek crater, adorns a small staircase of the palace: the plaque tells that it is a gift given by the Russian Tsar Alexander II to Baron Lionel in 1873. The palace, however, goes almost unnoticed.
Two huge paintings by the artistFrancesco Guardi, in Venetian fashion, decorates the corridor leading to the Baron’s Suite, the private rooms inaccessible to mere mortals: the rest were intended to welcome and entertain guests. Above all, a small console stands out: it was thereOffice of Marie Antoinette, Queen of France. Outside the mansion, in front of the Italianate-style gardens, the latest addition to the already very rich Waddesdon Manor is a wedding cake that will increase the number of weddings on the property: in fact, a new installation opened next to the dairy gardens, a 12-meter-high, three-storey ceramic cake by the Portuguese artistJoanna Vasconcelos,who decorated dairy products in the past with compositions honoring the family’s wines. The work, open on the tower where the bride and groom can be immortalized, consists of 25,000 unique pieces arrived from Lisbon, which required five years of work, including the tiles (which are reminiscent of azulejos Lusitanians) and motifs derived from the classical tradition (mermaids, gorgons and sea creatures). It would also be possible, if desired, to get married inside the cake: the interior is a kind of chapel entirely in yellow ceramics decorated with statues of St. Antonio.
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