The Valle d’Itria Festival is back to promote beauty and rare pages
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The Valle d’Itria Festival returns to Martina Franca (Taranto) from July 18 with the premiere of “The Turk in Italy” by Gioacchino Rossini, which on the threshold of 50 years (this year it is the 49th edition) confirms all the characteristics that have made it an international event over the years. years. The groove remains to propose musical pages that are rare or unknown compared to the more famous titles, but gradually enriched by the release of artists and conductors of orchestras who then become established names, training, study, master classes, attention to the very young so that they approach art and music, and the promotion of famous venues in Valle d’etria region. To these elements is now added the novelty of the study of operetta, a genre which is more than 100 years old in Italy. Thus, a set of characteristics rewarded the festival, which has been recognized as one of the most important events of classical music in Europe and in the world and which has won the audience’s acclaim, given that a few days after the premiere, 60 percent of the tickets were already sold out on stage. Pre-sales for buyers from 9 European countries as well as Japan, Canada and the United States. Among the creators and founders of the event is Paolo Grassi, of Apulian origin, who was president of Rai, superintendent of the Teatro La Scala in Milan and founder of the Teatro Piccolo in Milan with Giorgio Streller. Grassi, who died in 1981, was among those who imprinted in the festival the matrix that marked it afterwards for half a century.
Culture accounts for 5 percent of Puglia’s GDP
“In the past 40 years, Puglia has undergone a profound transformation, there has been a profound revolution, but the festival has existed for 50 years, so in a way it has accompanied the history of the region and the development of the cultural system and the cultural and creative industry. Today the festival certainly represents one of the essential components of the economic system of culture and creativity that It constitutes 5 percent of the GDP in this region and therefore has a fundamental role ” comments Aldo Patrono, Director of the Regional Department for Tourism and Cultural Economy. “The festival expresses the culture of beauty and the places of beauty represented by Martina Franca,” says Mayor Gianfranco Palmisano.
Doors are open to public rehearsals for those under the age of 25
Interest in young people is a constant component of the event. Young people must be trained and brought to music, but also talented to go. “The public rehearsal project for works open to people under 25 is repeated because it has given us great satisfaction in the past and the Paolo Grassi Foundation has always taken care of young people – says Michelle Ponzi, president of the Foundation, who collected the witness of Uncle Franco, who passed away in recent months, personal Another milestone in the history of the Festival -… We strongly believe in training new audiences and again this year we are waiting for many young people who will invade the atrium of the Palazzo Ducale in Martina Franca. “The festival aims to train new audiences – explains Grazia de Bari, consultant in charge of the culture of the Puglia region – an important objective, given that we have lost many of them after the pandemic, but also young artists who want to get closer to the world of music, talking with the great masters. This A great opportunity is being given to our boys.”
Issues: 25 shows in 20 days
Festival numbers: 20 days of event, 25 performances, 2 days of international conference on operetta, 2 show business lectures, 5 original opera productions, 13 different locations including churches, farmhouses, monasteries, palaces and theaters, another production and 4 performance venues added. Then, 403 people participate in the organization including artists, operators, administrators and auditorium staff, while the artists’ countries of origin are 12 and the participating orchestras 4. It opens on the 18th with Rossini’s “Il Turco in Italia”, in the critical version of Margaret Bent, Directed by Michelle Spoti and directed by Silvia Paoli. It is followed by the film “Country of Bells” directed by Carlo Lombardo and Virgilio Ranzato, directed by Fabio Luisi, directed by Alessandro Talevi. And there are still three premieres: the first in the modern era of Pietro Ulletta’s “L’Orazio”, conducted by Federico Maria Sardelli and directed by Jean Rencho, the first Italian in the modern era of “Gli uccellatori” by Florian Leopold Gassmann, conducted by Enrico Saverio Pagano and directed by Jean Rencho, And finally, the world premiere in Italy of Jules Massenet’s “L’adorable Bel-Boul” written by Paul Poirson, directed by Francisco Soriano and directed by Davide Garattini.
Schwartz: Operetta is 100 years old, and it’s a genre that needs to be protected
The artistic director of the festival is Sebastian Schwartz, former supervisor and artistic director (until last year) of the Regio di Torino. This version – announces Schwartz – will have a moment dedicated to the study of operetta internationally and thus to the deflection of buffalo and comedy on stage. We will therefore think of the genre that has more or less disappeared from billboards, not only in Italy. We want to propose and organize it as an example of a great legacy that has been left to us and that we must keep alive.”
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